Best

I am trying to give some form to this blog thing . . . so every Friday On the Wind will inform the reader what is the Best of a given category, my opinion.

Best nautical short story or novella. Hands down, Joseph Conrad's Typhoon. Some, who have not read any or much Conrad, may shudder, consider Conrad to be one of those unreadable Serious Writers of the last age, and avert their thoughts. But you are mistaken! Conrad, a sea officer, knows all aspects of the human heart, the amusing, the solemn - and the dark. His writing transcends. Here, from Typhoon:

At its setting the sun had a diminished diameter and an expiring brown, rayless glow, as if millions of centuries elapsing since the morning had brought it near its end. A dense bank of cloud became visible to the northward; it had a sinister dark olive tint, and lay low and motionless upon the sea, resembling a solid obstacle in the path of the ship. She went floundering towards it like an exhausted creature driven to its death. The coppery twilight retired slowly, and the darkness brought out overhead a swarm of unsteady, big stars, that, as if blown upon, flickered exceedingly and seemed to hang very near the earth.


Here, Captain McWhirr tells his mate why they will not try to evade the probable typhoon by following published "storm strategy":


"But the truth is that you don't know if the fellow is right, anyhow. How can you tell what a gale is made of till you get it? He isn't aboard here, is he? Very well. Here he says that the centre of them things bears eight points off the wind; but we haven't got any wind, for all the barometer falling. Where's his centre now?"

"We will get the wind presently," mumbled Jukes.

"Let it come, then," said Captain MacWhirr, with dignified indignation. "It's only to let you see, Mr. Jukes, that you don't find everything in books. All these rules for dodging breezes and circumventing the winds of heaven, Mr. Jukes, seem to me the maddest thing, when you come to look at it sensibly."

He raised his eyes, saw Jukes gazing at him dubiously, and tried to illustrate his meaning.

"About as queer as your extraordinary notion of dodging the ship head to sea, for I don't know how long, to make the Chinamen comfortable; whereas all we've got to do is to take them to Fu-chau, being timed to get there before noon on Friday. If the weather delays me -- very well. There's your log-book to talk straight about the weather. But suppose I went swinging off my course and came in two days late, and they asked me: 'Where have you been all that time, Captain?' What could I say to that? 'Went around to dodge the bad weather,' I would say. 'It must've been dam' bad,' they would say. 'Don't know,' I would have to say; 'I've dodged clear of it.' See that, Jukes? I have been thinking it all out this afternoon."

He looked up again in his unseeing, unimaginative way. No one had ever heard him say so much at one time. Jukes, with his arms open in the doorway, was like a man invited to behold a miracle. Unbounded wonder was the intellectual meaning of his eye, while incredulity was seated in his whole countenance.

"A gale is a gale, Mr. Jukes," resumed the Captain, "and a full-powered steam-ship has got to face it. There's just so much dirty weather knocking about the world, and the proper thing is to go through it."



Or this when, upon the typhoon assailing the Nan-Shan, Jukes is swept across the bridge and fetches up on a stanchion:


It seemed to him he remained there precariously alone with the stanchion for a long, long time. The rain poured on him, flowed, drove in sheets. He breathed in gasps; and sometimes the water he swallowed was fresh and sometimes it was salt. For the most part he kept his eyes shut tight, as if suspecting his sight might be destroyed in the immense flurry of the elements. When he ventured to blink hastily, he derived some moral support from the green gleam of the starboard light shining feebly upon the flight of rain and sprays. He was actually looking at it when its ray fell upon the uprearing sea which put it out.

It gets better. And there is, of course, a theme and a depth central to Conrad which you will approach while you are enjoying your read.

Other Conrad novellas to look for are "An Outpost of Civilization" (hah!), "The End of the Tether" (how, how can it come to this, for such a good man?) and "Youth" (oh, Youth!).

If you have not read Conrad, and do read him, please let me know by comment if I have mislead you. I don't think I have.